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The sunken school is a project by Iván Martínez that digs deep into the history of a middle school located on the outskirts of Mexico City. In the early eighties, the unstable ground, which in pre-colonial times was a lake, started swallowing the school, sinking it and drowning it in water. As the ground devoured the buildings, it also devoured the project of public education. 

 

This overwhelming image, recorded as an imprint in the artist's memories, became a juncture, a turning point when thinking of the overall landscape of the country: a building covered with water, floating pieces of furniture, garbage everywhere. Years later, and departing from this personal and intimate image that was constantly present, Martínez decided to investigate and inquire the history of the place. The sunken school, erased by time, and as a symptom of how the country copes with its issues, is now a soccer field. 

 

Martínez began a journey to recover the local history of the school, the shared history of his upbringings in the periphery of the city. When searching for documentation, neither the government's archives and files nor the old newspapers had information about the school whatsoever. 

 

Through neighbors of the site, he was able to follow the thread of the story and contact former students and teachers. To recover the history of the sunken school suddenly meant a deception. No big earthquake, no mythic story, no big disaster had swallowed the building –it was politics, it was corruption. 

 

The sunken school

Art, in this case, becomes a strategy of storytelling. Through his process of historical recovery, Martínez conserves the testimonies of its existence. By conducting interviews, and collecting documentation, he created an archive of what is lost. Inspired by the literature of Juan Rulfo and Julio Cortazar, Martínez uses his body of work as the perfect metaphor of the social and political landscape of the country.

 

The school as a symbol can represent a number of things: the place for configuration of ideas, a collective space where we live our childhood, politically, where the formation of future citizens and civic values takes place. It also represents order, discipline, education, and knowledge. To let a school sink, with no trace after its disappearance, is to allow the sinking of a whole a system. Through the collection of drawings, documents, and blueprints, the artist tells the story of a school, the story of public education, the story of the failed project of a country.

 

 

 

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